Sketches from a train describe the shapes of lighted windows at night. 1998.
Spray paint through a stencil shows office windows as might be seen from a bus - the stencil is mis-registered to get a sense of movement. Passenger II, 2000.
Though referencing modernist abstraction, this cut-away shape still suggests location and landscape. Black square, 2005.
Surface and depth get entangled with dress patterns - revealing and concealing. Sleeve, 2006
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