Objects from a kitchen drawer, 2008, light installation.
This got a great response at the student talks I gave in the gallery. They liked the obvious means of production (the overhead projector was easily visible), the wild enlargement of small objects, and we discussed the idea of pictorial depth within it. Some of the objects were instantly recognizable and others not... the push pin was obvious, said one. The coiled wire, the CD tray, the sink drainer all came up as familiar. Less clear were the pasta server (one of those Better Homes ingeniously forgettable inventions) and the Barbie torsos (keeping the outfits 3D in the blister packs).
A stack of shaped circles, 2008, roofing felt and gravity. 10.75 x 8 x 8 inches
This small sculpture (it is not glued or held together in any way) involves shadow rather obscurely. Being black and dense material, almost flattening itself through lack of visible detail and shading yet suggesting a small lamp introduces several interesting linkages. Alongside that is its creation via individually directed, separately produced shapes, something more common in industry. I still have areas to explore here, which is exciting.
Some great feedback came from the students. One asked me whether it mattered if the artwork was not permanent, which of course led to the idea of value. If something is impermanent it seems irrelevant until one considers charging a high price for it, which suggests that someone's investment would be lost. Another student talked about the roofing felt piece, mentioning that the flat layers of my other installations had here come together to create something physical. It was really interesting to get their impressions. I wish I could have recorded all that was said. I loved seeing the degree students' work in their studios too - could have spent much more time with that than we had.
This last small work was propped up by the guest book, unframed. It didn't get much attention but I like where it might take me. Of course that is still unknown...
Shadows and paint rings, 2008, acrylic, oil and varnish on board, 7.25 x 12 inches